Manfrotto MOVE vs Xchange Quick Release System

July 19, 2025 in Photography, Review

When it comes to using tripods and attaching accessories, something that I’ve come to greatly appreciate is a quick-release system. In this video, I want to share with you two systems that I currently own: the Manfrotto MOVE system and the Manfrotto XCHANGE system. Both let you swap heads, sliders, or accessories quickly, but they differ in price, feel, and design.

Construction & Build
The MOVE quick-release base is fully metal, made from CNC-machined aluminum. It even has a red anodized aluminum ring and a knurled metal X-Lock collar. This all-metal construction feels very solid and premium in hand. The twist-lock collar is easy to grip and turn, and it operates with a satisfying metal-on-metal feel.

By contrast, XCHANGE’s base is also aluminum but uses some plastic parts. For instance, the XCHANGE collar isn’t full metal—it has a rubber or plasticized grip section. The build is still sturdy, but it doesn’t have the same refined heft or “precision-machined” vibe as the MOVE. Both systems are robust enough and are rated for the same ~20 kg (44 lb) load. But MOVE definitely looks and feels like the higher end of the two.

Functionally, the only real difference I see between the two is that the MOVE’s quick-release plate is compatible with both 1/4-20 and 3/8-16 products, whereas the XCHANGE plate is only compatible with 3/8-16 unless an adapter is used. But that’s not really practical with larger accessories, if you’ve ever seen one of those adapters. So in this case, if you’re using 1/4-20 base accessories, the MOVE system may be the better choice.

Operation and Ease of Use
One of the biggest differences is in how quickly and intuitively each system locks the quick-release plate. With MOVE, you can “just drop the plate in and start shooting.” The circular base and plate are shaped so that the plate is funneled into the base; even if you hit it at a slight angle, the edges guide it into place and the collar will twist into the locked position. Then, for added security on either system, you can twist the collar a bit more to really lock it. MOVE is definitely designed for speed.

XCHANGE also uses a twist-lock mechanism, but because of the way the parts are designed and how they interact with each other, you have to be more deliberate with how you position them and lock them together. In practice, I’ve found that MOVE consistently locks seamlessly, whereas with XCHANGE, I’ve missed a few times trying to link it together. In other words, MOVE self-aligns the parts better, while XCHANGE requires me to carefully line them up.

Another difference is what happens when the plate is off. With MOVE, when you take the plate off, the collar stays fully twisted in the “open/catch” position until the quick-release plate is back in the base. It can’t accidentally get locked, so it’s always ready to receive the plate. With XCHANGE’s base, on the other hand, you can actually twist it slightly and get the plate out. Then, if you let go of the collar, it will twist back into the locked position. That means that when it’s time to link back up, the base is already locked and you can’t connect the two pieces. You must twist the collar again to unlock it before dropping the plate in. So with XCHANGE, you have to be deliberate when unlocking the collar and make sure you hear and feel it click into the unlocked position before letting go. Again, this is just a minor fit and finish detail that separates these two products.

Plate Design and Stability
An important distinction and something to consider is the two systems’ quick-release plate design. XCHANGE’s quick release plate is flat and wide. This design has some practical upsides. With this, you can put the base down on a surface and it won’t roll or tip over. This will also allow a balanced and attached accessory to do the same. In contrast, MOVE’s plate is a tall cylinder, and it sits on a narrow end. Unless you’re attaching something small and lightweight to the MOVE quick release plate, it’ll likely topple over, so everything that I attach to this plate basically has to lie on its side. The XCHANGE plate’s flat design helps to avoid that issue.

Visually, this also matters. If you pair the XCHANGE parts with a 75mm tripod bowl or fluid head base, the parts will cover the base nicely, whereas the MOVE’s narrower design leaves a visible gap around it. On the other hand, if you’re using small heads or monopods with a small ball base, the MOVE can actually look neater because it doesn’t have any extra-wide lip around the base. This just comes down to a matter of taste and rig setup.

Ecosystem Integration and Future Support
Manfrotto is clearly investing in the XCHANGE ecosystem. A key example is the new 500X fluid head, which was designed specifically with XCHANGE in mind. The 500X has a flat base that is directly compatible with the XCHANGE quick-release system. In other words, you can drop the 500X head onto an XCHANGE base without an additional quick-release plate.

What does this mean for you? If you invest in XCHANGE now, it’s likely to pay off as more Manfrotto gear comes out. Future heads, sliders, or tripods may adopt XCHANGE as a standard. I personally own three sets of XCHANGE hardware because of this. I don’t think that Manfrotto is going to abandon it anytime soon. By contrast, MOVE is a few years old and it doesn’t seem to be talked about all that much. I only really see it when it’s packaged with one of Manfrotto’s tripod kits. That’s actually how I got my MOVE set.

Price and Value
It’s hard to ignore the price gap. The MOVE base and quick release kit sells for about $100, while the XCHANGE base and plate kit is around $55—almost half the cost. That means you can essentially buy two XCHANGE sets for the price of one MOVE set. For budget-conscious shooters, XCHANGE is a clear win here.

Of course, you get what you pay for. The MOVE’s higher price buys you its premium feel and slightly faster operation. It’s all metal and very well finished, so if you want the smoothest, quickest workflow (and don’t mind paying more), MOVE has the edge. XCHANGE is still well-made and lightweight, but it uses some plastic parts and the collar isn’t as refined.

Both systems handle the same load and both use a twist-lock method. But with MOVE, you get the knurled metal collar and the ease of that “just drop it in” design, whereas with XCHANGE you get a flat platform and lower cost.

Conclusion: Which Would I Choose?
In the end, both Manfrotto systems work very well—you really can’t go wrong technically. If forced to pick, here’s my take: I personally lean toward XCHANGE. Its lower price, wide flat base, and future-proof design make it a smart long-term investment. I already own several XCHANGE kits and use them almost every day. Again, I got my MOVE set with a tripod that I purchased, and even though it feels more premium and is easier to use, I probably wouldn’t purchase it just because of the previously mentioned reasons. If I had to build up just one system, I’d go with XCHANGE for its price and ecosystem advantages. It’s the safer bet for the long run.

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5 Steps to Achieve a Film Look with Dehancer Pro

February 24, 2024 in Photography

Ever notice how so many videos nowadays that have the “film” look?

Well, here’s how you can do something similar with 5 settings in Dehancer Pro.

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Around Washington w/ Kodak GC Ultramax 400

August 25, 2021 in Analog Photography, Photography

What’s going on guys, it’s Hai and I recently took the Nikon N2020 back out because I wanted to shoot some film. For this, I decided to pair it with a roll of Kodak Ultramax 400.

This film stock is intended to be more budget-friendly and I guess you can say more low-end. I view this film as something intended for people to pop into a camera and more so just catalog daily life, for people to take photos of their kids and just ordinary things like that. It’s not a specialized film and not saying that it can’t, but I don’t think it was really meant for professional applications.

Now, a little disclaimer. For this roll of film, I decided to have it developed and scanned by a local business. I don’t know the chemicals that were used to develop the film, I don’t know the scanner used to scan the film, or the type of post-processing done. This was my first time not doing all these things for myself so it’s definitely different from what I’ve previously showcased on this channel. Having someone else do everything just makes my life easier and will hopefully mean that I’ll be able to do more analog photography videos.

Ok, with that out of the way, let’s journey through this roll of Kodak Ultramax 400.

For these first few photos, we are heading to Olympic National Park, specifically Hurricane Ridge. This is my first time at this location and I’m going to be honest, I think it’s way overhyped. Don’t get me wrong it’s a nice place to be and has some nice views but you’re essentially just looking at distant ridgelines. It reminds me of Paradise at Mt. Rainier National Park but with a lot less to do. This is a place that I would suggest visiting if you’re already hitting other places in Olympic National Park, not a place that I’d spend the currently $30 entrance fee to solely go to. The highlight of my Hurricane Ridge trip was actually leaving because right as I pulled out of the parking lot, a couple of reindeers showed up and were grazing right beside the road. They were the only thing that I photographed here. I was trying really hard to get the center deer doing something graceful but all I could get was a couple of half-open-mouthed chews. As far as Ultramax 400, something I noticed right away was the amount of grain in this film. This is kind of expected being that it’s 400 speed but even so, I would say this is on the grainier side of the spectrum. Something also pretty apparent is the shift towards the yellows. Everything looks a bit warmer than reality.

Moving on, we are continuing our journey along the Olympic peninsula and stopping at a place called Ruby Beach. This was our last destination for the night and we arrived just as the sun was setting. This picture was taken pretty much at the parking lot and just as you begin the trek down to the beach. I actually really like this view and do plan to come back here at a future time.

Next, we are down on the beach, essentially looking at the large rocks from the previous photo. Here, the sun is just on the horizon, on the left edge of the photo, just out of frame. For this, I wanted to expose for the sky and just get a silhouette of the rocks. I wouldn’t necessarily say that I got what I wanted on film, but here’s another picture that I took of the same location but different composition. I think this composition was stronger than trying to get all the rocks in frame.

For the next few photos, we head to The Needle Lounge, a local tattoo shop in Lakewood, WA. I did this to change it up and get some indoor environmental portraitures. This kind of shows what the film can do indoors with just the artificial lighting of the room. Again, I would say that there’s some pretty noticeable grain. Also, with pictures like these where we have more definable subjects, I would say that it shows that the film stock is a bit soft and there isn’t a lot of fine details. Everything just has a softness to it, even the in-focused bits.

Next up, we have a couple more sunset photos from one of my drives near home. Again, exposed for the sky with silhouette foreground. Something that I’ve been doing a lot. With this photo, I actually like the colors of the sky a lot. The camera did a good job with exposure and we can see colors throughout the entire sky. Nothing’s blown out.

Now, we are going to head to Mt. Rainier National Park. This was on one of my more spontaneous trips here, heading out and arriving just before sunset. In my opinion, Mt. Rainier is one of those subjects that’s easy to take a picture of, but really hard to get something mind-blowing, especially if you’re trying to get it at sunrise or sunset. A lot of the more accessible locations are just not aligned right with the sun’s path. This was one of the nights where things were really close and the sky was lighting up, but just slightly to the side of where I wanted it to be.

I should note that with my Nikon film cameras I almost always shoot with a 50mm lens. I have wider lenses but just completely forgot them for this occasion and this is me paying the price. Things are just too close for my taste here. Again this is at 50mm and here’s the digital picture I took at 28mm. As you can see, a big difference in terms of what is actually in the frame. This is a reminder to always come prepared. Better to have a not use than to need and not have.

Here’s a look at the sky, just to the side of the mountain. Parts of it actually looked pretty good, just not where I want it to be.

Here’s another example of the 50mm focal length on film versus 30mm on digital.

For the next few photos, we are heading to Chambers Bay, a local park and pretty well-known golf course. Again, at sunset. I just realized as I’m making this post that almost the entirety of this roll was taking around sunset. For the first photo, I’m just shooting through the three lonely freestanding trees. I didn’t think that this would be anything, and realistically it’s a snapshot but it doesn’t look too bad. The colors in the sky are soft and have a nice gradient. We can see the sun setting directly in the middle which the camera exposed for and we, again, get the silhouetted foreground.

Another similar shot but with a different subject.

This one, I did the same thing but looking back, I should’ve exposed with more emphasis on the foreground because upon review of these images, even I’m like what is that? In the foreground is actually a passing train. I think in the case exposing somewhere in the middle would’ve been the best route but then the sky wouldn’t look all the great and the train wouldn’t look all that great. So are the limitations of this type of film photography. You just got to live with it and know what you’re getting into.

This next one isn’t really anything special in terms of subject but I wanted to show it because I actually like the colors. The warm, yellow tint of this film really plays well with the setting sun behind me.

Here’s another example of that. The subject is just some giant manmade rock structures but the colors don’t look too bad at sunset.

Finally, with the last few photos, we head to Alki Beach in West Seattle for another sunset. Here’s a look at the skyline. This is typically a snapshot like something you’d see in a family photo album.

Next, I don’t even know what this is. I remember it being a lot better of a composition in person but actually seeing it on screen is something else.

This one is a bit better. It’s me, shooting through the branches of that last tree to get another angle of the Seattle skyline. This would’ve looked better with the Space Needle in the center but then the right portion of the skyline would’ve been cut out more and there really isn’t anything to the left.

Here’s one of a pier along the boardwalk.

Connected to that pier is this little stairway leading to the beach. As you can see, it was high tide and I wanted to take a piccture of this scene but I didn’t know how I wanted to do it. I actually just freehand this close to the ground without even looking in the viewfinder because I wasn’t going to lay in the sand for something I knew I was likely not going to care for. And because I did that, the horizon is lopsided.

Then with this final picture, I was actually setting the camera up on a tripod, getting ready to use the self-timer for the first time. But not fully knowing how to do that, the camera actually took a picture when I didn’t want it to and I didn’t even get a chance to go in. Oh well, lesson learned.

And that’s it guys. A look at Kodak Ultramax 400 with some views around Washington state. Overall, this is a pretty grainy film. It’s not that sharp and the colors lean towards the yellows. Those things are pretty apparent. But considering that this film stock was developed to be budget friendly and for everyday cataloging, I’m not mad about it. I think if you understand the characteristics of this film, you can definitely use it towards your advantage, particularly to get some pretty nice colors.

If you're considering buying any of the products mentioned, please support my work by using the links below.

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Staircase Rapids Loop, Lake Cushman | Olympic National Park

March 05, 2020 in Photography, Travel

I’ve been busy with my personal life and haven’t been able to get out and hike. When I finally got some free time, I decided to hike the Staircase Rapids Loop. This is a hike that I’ve done a few times before but it’s one of those that I enjoy enough to do multiple times.

Before you decide to do this hike, you should know that the drive here is a journey in itself. The last 5 miles or so before the trailhead is just gravel and compact dirt. What makes this bad is the minefield of potholes. They are everywhere and some are quite deep. Having a vehicle with some ground clearance and tire sidewall will greatly help but not absolutely necessary. I mean, if I can make it there and back in a Toyota Corolla, almost any other vehicle can. Just take it slow because some vehicles can definitely bottom out the suspension if you try to speed through this area. Be EXTREMELY careful at the beginning where the gravel road warning sign is. Right at the transition between the paved and gravel road, there is a chunk of road missing. I won’t call this a pothole because it’s multi-feet long and pretty deep. Be aware and dodge it if you can because if you hit this thing at full speed, you’re probably not going to have a good time.

Once you make it to the trailhead, things should go pretty smoothly. This is an easy to moderate hike. A good bit of the trail is flat ground but there are some hill climbs no matter the direction you go. I like this trail because it offers some nice scenery. You get the big moss-covered trees, crowded woodland, rivers, streams, bridge crossing and a variety of other things. For the relatively little effort that you have to put in, you get a lot in return.

On this day, the trail was in overall good condition. There were around 6 trees that have fallen onto the trail but almost all of them can be easily walked around or stepped over. There’s only one fallen tree by the suspension bridge that may give some people trouble. This tree has fallen just so that there’s enough space for a smaller person to squat (knees to chest) and shift their way under or a bigger person to use the other fallen trees to climb on top of the trunk and make an approximately 4 feet high jump. Some people may not be able to do either of these things and at that point, there isn’t much else to do but crawl under the trunk.

Aside from that, there wasn’t much to complain about. It’s been raining in the area so mud was kind of expected but I found that all the patches of mud can be easily walked around. That being said, there were quite a few footprints in the mud. I would assume that these people just wanted to walk through the mud because again, you can easily walk around it.

I should also mention that I was hit by a few bugs. It happened less than a handful of times so maybe I just got unlucky. Spring is just around the corner so you can expect to start seeing more bugs in the future.

Overall, this is a hike that I can recommend. The road to the trailhead may be a nightmare but the trail itself is quite enjoyable. Definitely give this one a try.

Camera Gear Used
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Darlin Creek Preserve - Wetland Forest Loop Trail | Olympia, WA

February 19, 2020 in Photography, Travel

I recently visited the Darlin Creek Preserve for the first time and hiked one of its trails. The video above gives you a good idea of what the preserve looks like and below is some additional useful information.

Getting to the trailhead at around 11 AM, there were two other cars in the parking lot. It's a small lot with 11 dedicated spaces and there is no parking allowed on the other side of the road. The preserve/parking lot/trailhead is located directly at the end of a residential neighborhood. This seems to make it quite the popular dog-walking spot as I saw several locals arriving when I left. Normally I would say to arrive early in order to get a parking spot but this location doesn't seem like it's all that popular except to the people who live nearby. But from what I saw, they all walked there.

As far as the preserve, I was pleasantly surprised. I would have to say that this is my new favorite trail walk. Don't get me wrong, it's not mind-blowing or anything like that. If you've done a local hike with a lot of wooded areas, this place is going to look very similar. But, this is a short and very manageable trail walk. For inexperienced hikers or people who are looking to get outside but don't want to expend too much energy, this is the perfect place to go.

I did the Wetland Forest Loop Trail which is around 2 miles long. The trail is clearly marked and easily navigable. On my hike, there was still some frost on the ground but nothing that caused any trouble. The trail was largely in good condition. Some portions were covered by wet leaves. This could be an issue if you're not watching where you step. There was no snow and very little mud. There was only one muddy stretch of land that was less than 50 feet long. I had no issues with bugs until the very end, passing Lake Lucinda. They all congregated in one tiny swarm that I had to walk through.

Again, I was pleasantly surprised by this trail and can definitely recommend it. It's an easy walk with some good views. A very nice break from the city.