Review

HOHEM iSteady Mobile+

A representative of HOHEM recently contacted me to see if I was interested in trying out their new smartphone gimbal, the iSteady Mobile+. At this point, I own and have tested quite of few gimbals and to be honest, I’m kind of tired of them. Unless something crazy comes out, I just kind of pass on them. Nevertheless, I wanted to see what this product was all about so I headed to the company’s official website. Then, I saw it. A fully featured smartphone gimbal that only costs $89. This would definitely be the cheapest gimbal that I ever tried so I wondered if it was any good. I told the rep to send it over and here it is, the HOHEM iSteady Mobile+.

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First, let’s take a look at the design of this product. It’s pretty straight forward and looks like many other smartphone gimbals. It’s fairly small and only slightly larger than my hand. This is nice because to me, the whole point of using a phone camera is because of the size and convenience. I want to impede this as little as possible so if I were to use a phone gimbal, it has to be as small as possible.

On the handle we get the gimbal’s controls. A controller wheel to adjust the gimbal’s parameters. A toggle switch which allows for focus and zoom adjustments. A button to toggle between the various gimbal modes. A button to start/stop recording and to take photos. A trigger to activate some more of the gimbal’s features (we’ll get to that in a moment).

Using the mode selector button on the front of the gimbal, we can toggle between 4 of the gimbal’s modes. With this, we can toggle between PF (pan follow), PTF (pan/tilt follow), AL (all lock), and AF (all follow).

IMG_1725.JPG

The trigger on the back allows for a few other uses. Holding it down, we get Sport Mode which increases power to the motors and allows it to react more quickly. This could be useful if you’re trying to follow a fast subject or you can use this feature to create in camera transitions like whip pans. Double tapping the trigger re-centers the motors to its initial position.

As with any modern gimbal that wants to stay in the loop, this gimbal also features inception mode and the ability to shoot in vertical orientation.

What surprises me about this gimbal is its inclusion of face/object tracking. Don’t get me wrong, this is not a new feature, but to see it in a product at this price is really appreciated. I actually like this feature quite a bit. I’ve tried vlogging with a phone in the past but have always found it difficult because I like to record with the rear cameras. I use an iPhone and none of them are currently able to shoot 4K video with the front facing camera. I only produce in 4K so using the front facing camera just doesn’t work for me. I’m used flipping the camera around to get 4k footage but the problem with the iPhone is that framing is a bit difficult when you do this. It’s not just holding the camera out like other cameras, but because of the way that the cameras are laid out, you have to kind of angle the phone a bit and there can be a learning curve to this. But with the iSteady Mobile+’s face detection, all I have to do is flip the gimbal around and it automatically centers me in the frame.

IMG_0033.JPG

Now, this gimbal is by no means perfect. In my short time with it, I’ve noticed some annoyances. First, this is really a gimbal for smaller smartphones, say an iPhone XS not a XS Max. The gimbal cannot balance a larger phone and falls to the left. The adjustment arm just doesn’t move to the right far enough. Another indication that this gimbal is really not for larger phones is the audio ques that you get when the gimbal is pushed. The motors will get really worked up and become very audible, even when you set them to maximum strength in the settings. Although I can still use my XS Max with this gimbal, it can be a struggle with certain modes as the gimbal tries to keep up with the weight.

Another issue that I have with this gimbal is the way that it pans. This kind of goes in hand with trying to do selfies with the rear camera. Many other gimbals have a way to activate selfie mode and the gimbal will actually spin the phone around. The iSteady Mobile+ does not. You have to manually do this one way or another. You would think that you just turn the gimbal around but the pan axis does something weird where it often gets caught somewhere in between and you’ll have to deal with it. If you need to do this, you’ll just have to play with the gimbal and figure out what works best for you. I sometimes use Sport Mode to make the pan axis move faster and trick itself into spinning around or I just hold the vertical bar and force it around. Either way, this is just a waste of time. HOHEM needs to add a selfie mode into the firmware.

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Finally, I think there is some work that needs to be done in the app. Right now, it’s just not very intuitive to me and I often find myself searching for features or trying to figure out how to do things. The menu and icons can be set up better. I also have a problem with just how small and close everything is. Just look at the icons for subject tracking and the focus/zoom selector (bottom left). They’re so small and when I try to activate these features, I find myself touching the bare screen and the app thinks that I’m trying to adjust exposure. This happens so often and just slows everything down. On the bright side, both this and the panning can realistically be fixed in firmware and I really hope that the people at HOHEM takes note and adjust these things.

This flap never stays in place

This flap never stays in place

To be honest, as a gimbal the HOHEM iSteady Mobile+ is nothing special. It doesn’t revolutionize the gimbal industry and really doesn’t give you anything different. The modes that the iSteady Mobile+ offers are pretty standard. They are the ones that pretty much every other gimbal provides. That’s not to say that that is a bad thing because these are the modes that you will most likely use. The inclusion of face/object tracking and vertical shooting is nice, but again, pretty standard nowadays. This makes the iSteady Mobile+ fall into the crowd and it is a big crowd when you have companies like DJI, Zhiyun and FeiyuTech dominating the market in every sector. But, what those other companies don’t have is a gimbal that has all the standard features and only costs $89.

If you were to ask me for a gimbal recommendation, I would typically reply by saying to research and see which one has the features that you want, but to also consider buying the cheapest option because all modern gimbals essentially do the same thing. In use, they all essentially run off the same modes. What you are really paying for are the minor features beyond using the gimbal for stabilized footage. You’re paying for the ability to add accessories, to fold down to a compact size, to be able to lock the various axis to make travel and balancing easier, and etc. But if you don’t need or want those things, you just want a cheap gimbal so you can go out and shoot video without getting shaky footage, then something like the iSteady Mobile+ is the gimbal for you.


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HOHEM HOHEM iSteady Mobile+ https://amzn.to/2L9TGFb


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Tyger Auto TG-AM2T20048 Textured Black Side Step Rails Nerf Bars Compatible With 2005-2019 Tacoma Double Cab


Since buying this Toyota Tacoma, I’ve felt that the sides of the truck looked a bit bare and lacking. The obvious answer was to pick up a pair of sides steps and that’s just what I did. After some research, I decided on the Tyger Auto Star Armor Nerf Bars. The are just about as tough as it gets without going to full blown rock sliders.

For those interested in installing side steps on the 3rd gen. Tacomas, it is extremely straightforward. Under the Tacoma, near the outer edges of the doors, you’ll see what looks like plastic screws. If we take a screwdriver to these, they’ll reveal the pre-tapped threading in the truck’s body which is where the side steps will be attached to. There are 6 of these caps in total to be removed per side.

Once the plastic caps are removed, it’s just a matter of raising the nerf bars up and mounting them with the included hardware. Other nerf bars typically come in two main pieces, the brackets that attach to the truck and the actual bars, which attach to the brackets. These are easier to install because you can install the individual parts one piece at a time. The Tyger Star Armor nerf bars’ parts are all welded together, making one solid structure. This makes them slightly harder to install because it can be difficult to lift and bolt them in place by yourself. You may want to find something to prop them up with or find some help.

Once all 6 bolts are in place, you’re done and all there is to do is repeat on the other side.

I installed the Tyger Star Armor Nerf Bars on my 2019 Toyota Tacoma TRD Sport. According to the manufacturer, these should fit all double cab Tacomas from 2005-2019. They also make an access cab version if that’s what you need.

These Tyger nerf bars feature a rust resistant E-coating textured black finish. This is definitely different from the other options on the market. Typically, it’s a lot of black or chrome with the other options. Although the Star Armor is black, the textured finish helps to differentiate the aesthetic.

At both ends of the bars are sealed end caps to keep dirt and water out. I’m actually a bit disappointed by this. I would’ve preferred to have welded metal end caps. I think that this would’ve been more secure and durable but what do I know. Maybe the plastic caps are the better way to go.

Then, of course, we can’t talk about these nerf bars without talking about the patented laser cut star armor step pad design. I have to be honest, I was holding off on buying these for some time. I knew that they’d work great but the step pad was preventing me from buying them. This is for two reason. One, this pad has no anti slip rubber like other nerf bars. These nerf bars are just pure metal and I have a feeling that on a wet day, they are going to get slippery. My second problem with the step pad is just how it looks. This laser cut design is just so in your face and, in my opinion, a bit gaudy. Had Tyger just went with a solid metal pad or a more simple design, I would’ve bought these in a heartbeat and there are others who feel the same based on some of the reviews that I’ve seen. If you share either of these concerns and still want these nerf bars, then I have the perfect mod for you. I found a product and it is essentially a self-adhesive anti-slip rubber mat. People use these on stairs, tiles, really anywhere that’s slippery. These pads come in various sizes so all we have to do is cut them to shape and stick it on top of the nerf bars and boom, killed two birds with one stone. I would suggest getting the 12” x 12” pad because it is a better value. However, if you want a little less cutting work, buy the 4” variations as this width is perfect for the step pad.

Overall, I would say that these nerf bars look great on the truck. They give you a different look than the other options on the market. They look so mean. Traditional nerf bars just give you a single tube whereas here, we have multiple tubes welded together to create one single structure. Because of their construction, these nerf bars are actually more robust and have a weight capacity of 500 lbs per side. This product is really like a toned down rock slider.

What I really like about these nerf bars and one of my main reason for buying them is the width. Manufacturer specs say that we get 6.44 inches from edge to edge. I was looking for something wider because to me, aside from making the truck look better and allowing you to get in and out easier, nerf bars can provide a form of protection against side impacts. Imagine you’re in a parking lot and someone opens their door, slamming into your car. Just the worst. But with some wider nerf bars, you have a chance of the doors slamming into the bars and away from the finish. These were the widest nerf bars that I could find and they’re looking like they’ll be pretty protective but only time will tell.

And there you have it, the Tyger Star Armor nerf bars for the Toyota Tacoma. A great product that I do not mind recommending.


If you're considering on buying any of the products mentioned, please support my work by using the links below.

Tyger Auto TG-AM2T20048 Star Armor Nerf Bars for Toyota Tacoma 2005-2019 Double Cab https://amzn.to/2Zzwx6N

Tyger Auto TG-AM2T20188 Star Armor Kit for 2005-2019 Toyota Tacoma Access Cab https://amzn.to/2LdPwvZ

17 in. x 4 in. Self-Adhesive Rubber Safety Mat with Tread Surface https://amzn.to/2NHyB6p

12" X 12" Self-Adhesive Rubber Safety Step Mat Non-Slip https://amzn.to/2MMHeNp


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Sirui EPC-10K

Today, I have for you guys an exclusive first look at an upcoming product from Sirui and it is the EPC-10K.

This was sent to me directly from Sirui Europe free of charge for review purposes. I have not been instructed to say anything in particular about it so all opinions expressed will be my own.

The EPC-10K arrived without any packaging and there is no information for it listed anywhere yet because it is not yet for sale. I received a pre-production unit but was told that the one I received is representative of the final product. The EPC-10K is expected to be available starting September 1, 2019 for $149.90. If there are any updates to the product after the official release, I’ll make sure to update the information in this write up.

When I first saw images for the EPC-10K, I said to myself “Wait, this looks really familiar.”

Take a look at the Sirui EP-204S. This is the monopod that I most often use, but just look at its feet. Very familiar right? That’s because the feet of the EPC-10K is of the same design as the one used for the EP-204S and a few other Sirui monopods.

Prior to receiving the EPC-10K, this is something that I’ve already done in the past. When I needed a table top tripod, I just took the legs of my EP-204S and threw a ballhead on it. The EPC-10K just comes with a better fitting ballhead.

Although there are no released specs for the EPC-10K yet, I do have the specs for the individual parts and we can make some very good assumptions.

First, the EP-224ST table top tripod. These legs feature a carbon fiber, one section leg design. The legs span from a minimum height of 210mm/8.27in to a maximum height of 285mm/11.22in. The legs can be utilized at 2 different angles and can be adjusted by releasing the leg lock button. The legs by themselves weigh 0.43kg/0.95lb but can hold a max load of 8kg/17.64lb.

Screen Shot 2019-08-19 at 9.26.42 PM.png

When it comes to features, the EP-224ST is a bit more unique than most table top tripods. Again, these legs were originally intended to be used with a video monopod so we get the various features that that entails. The most interesting thing about these legs are the inclusion of the leveling base. Once the security knob and ball locking knob is released, the upper section of these legs act like the leveling base of a video tripod. You can move the stem and achieve different angles much easier than if you were to adjust the tripod legs. This is very useful for leveling out those horizons. The base can also help you achieve some simple camera movements that may not be as stable if you were to handhold.

Screen Shot 2019-08-19 at 9.23.16 PM.png

Next, we have the Sirui CS-10 ballhead. This head measures in at 88mm/3.5in, weighs 0.22kg/0.49lb and has a max load of 13kg/28.7lb. In terms of features, this is a pretty standard ballhead. It utilizes an arca swiss plate system that is accessible by a locking knob and security pin. The main ball and panning base are held in place with two other locking knobs.

To get the final specs of the EPC-10K, we just combine the specs of the EP-224ST legs and the CS-10 head.

  • Minimum Height - 298mm/11.77in

  • Maximum Height - 373mm/14.72in

  • Weight - 0.65kg/1.44lb

  • Max Load - 8kg/17.64lb


You may have noticed that the max load did not change from that of the EP-224ST. While the CS-10 can hold 13kg/28.7lb, the EP-224ST can only 8kg/17.64lb. With a tripod setup, you have to consider the final product as only as capable as its weakest components. In this case, although the head can hold more weight, the legs are not recommended for such weights. Pushing the head to its limits while using these legs may damage the legs and cause total failure, which may result in damaging your camera gear.

This is where this setup surprises me. Typically, the head will be the weak point of a tripod. The legs can typically hold much more than the head. In either case, this seems like a case of missed opportunity. Either make the legs sturdier so I can take advantage of this head’s full potential or give me a head that is more in line with the legs and maybe drop the price a little. Having the head being able to hold almost twice as much as the legs really doesn’t mean anything unless you want to push the limits.

Overall, I would have to say that as a table/mini tripod, this product does very well. That being said, there are a few things that I don’t like about it.

First, I just don’t like the aesthetics of the tripod. This is essentially Sirui using scrap parts to make something new. Because of this, the head doesn’t exactly fit flawlessly with the legs. Had everything been made for each other, the connection between head and leg would be more streamline and not have excessive ridges or gaps. To me, this looks a bit janky and I don’t like it. But again, it functions as it’s suppose to and it does it very well. Like I said, this is something that I myself have done in the past with the EP-204S legs and my own tripod head, but it’s just not pretty. Also, had everything been made for each other, maybe we would have a product with specifications (max load) that fall in line more so with each other.

My second complaint with this product is just that it’s confusing. I’m not sure why this thing exists. Sure, Sirui had the parts around so might as well throw it together to get another revenue stream but I think that this could’ve been implemented better. Again, these are the legs from a video monopod. The adjustable leveling base is to help video shooters get a leveled composition much faster. However, for photography, there is little use for this because the setup comes with a ballhead. The ballhead is much simpler and faster to use than the base. To me, the only big use for a leveling base during photography is for shooting panoramas. But because this is such a short tripod and if you want to shoot panoramas with it, you’d likely always be getting a ground level parorama. This tripod would primarily only give you one look. A better use for these legs would be for video like it was designed for. I think that Sirui should’ve brought this product out with a small, compact fluid head. That would’ve paired real well with these legs and, sure, a table top fluid head tripod would be a niche product, but I guarantee that there would be a market for it.

Some of you may be reading this and be thinking that this would make a good vlogging tripod. You can attach a camera and use the tripod as a makeshift selfie stick to get a wider shot and the legs allow you to put the camera down. This seems like it would be a good run and run setup but for those interested in doing this, let me point out a few things. First, this is a pretty unergonomic setup for handholding. The way that the legs themselves are orientated make the entire lower section pretty wide so unless you have some pretty big hands, it will be uncomfortable to hold the tripod over time. Another issue with the legs is that they never fold up evenly unless you spend some extra time to really try to achieve this. When you try to collapse the legs together, they’re typically lopsided and this just adds to the unergonomic grip. Again, you can spend the time to adjust this but imagine doing this every time you try to grip the legs. It’s just a lot of wasted time. You can definitely use EPC-10K as a vlogging tripod, but I just really don’t think that it’s optimized for it. Check out Sirui’s 3T-15 or 3T-35K which are two superior vlogging tripod options.

At the end of the day, had Sirui not sent me this item, I honestly would not buy it. That sounds bad but this is simply because I already have the legs from the EP-204S and can just throw my own ballhead on there and make my own version of the EPC-10K, like I have in the past. For those who own a similar monopod with a similar set of legs, I would suggest you do the same. I wouldn’t spend the extra money just to buy this setup for the extra head. However, if you don’t have the legs already and are really considering this option then I would’nt mind recommending it. This is a very stable tripod and although I don’t think that this is the ideal package, the minor features can come in handy sometimes. This is an interesting product and worth checking out.


If you're considering on buying any of the products mentioned, please support my work by using the links below.

Sirui EPC10K https://amzn.to/2LeSW1p

Sirui EP-204S https://amzn.to/2KWdPNw

Sirui 3T-15K https://amzn.to/2Zl20W5

Sirui 3T-35 https://amzn.to/2ZdnkNj


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OVERHYPED | Zhiyun Crane M2

I was recently sent the Zhiyun Crane M2 for review. This is an electronic gimbal meant to help you get more stable footage. This gimbal is smaller and lighter weight so it’s meant to be used with smaller cameras like smartphones, action cameras, point and shoots, and if you’re micro 4/3, APS-C or full frame camera is small and light weigh enough, you can also throw that on the M2. I was actually pretty excited to get this but after essentially my first use, I can tell that there were some issues and annoyances that no one seems to be pointing out. Don’t get me wrong, this thing works and functions as it should but I think it’s overhyped and you should be aware of some things.

ASSASSIN_S005_S001_T049.jpg

First, let’s look at the design. One thing that other reviewers really like to highlight is this gimbal’s ability to lock up so it doesn’t move around during transport. This was something that I was really looking forward to, until seeing how it is implemented in person. At the base of the pan axis is a physical switch to lock this axis in place. This lock works flawlessly.

ASSASSIN_S005_S001_T057+.jpg

Then we get to locking the other axis. Unlike the pan, there is no physical lock anywhere else. The upper section of the gimbal is held in place by a series of cutouts that line up with each other and a pin that holds the camera carriage in place. Storage mode is basically accomplished by utilizing friction and male/female alignments. The problem with this is that over time, the surfaces that require direct contact will get absolutely destroyed. Say goodbye to that nice black finish. Another problem with this is that because you have to go out of your way to take the gimbal out of balance to put it in storage mode, you’ll have to re-balance the gimbal every time that it is utilized.

But wait, another thing about the M2 that is overhyped is the memory lock. This is essentially a stopper that you can set so that when you throw the gimbal out of balance, you can easily move the adjustment point to where the stopper is and know that that is where it should be to have a balanced gimbal. That’s wonderful! It works well, but it’s only available on 1 of the 5 adjustment points. It’s only available on the roll axis. Thank you for making my life easier on the point that’s easiest to adjust and not anywhere else!

ASSASSIN_S005_S001_T053.jpg

Another thing that people seem to be hyping quite a bit is the quick release plate. This can be extremely useful but here, it’s pretty stupid. This isn’t new. Many other gimbals use a quick release plate system but with those, you actually get a functional system. They use plates that are common like the Manfrotto or Arca Swiss style. Here, we get a proprietary plate. This means that you either have to have a camera dedicated to this gimbal or be prepared to switch plates as you move from this gimbal to something else and of course, be prepared to rebalance every time because the camera carriage ajustment point is the same as the screw that holds the camera in place. On the more thought out gimbals, these would be two independent things. Because these two thigns use the same screw, the screw has to be big enough so that people can put enough torque on it to tighten it in place. This makes putting the camera with the plate down on a flat surface impossible. I just think that the entire camera carriage section was poorly thought out.

Finally, from someone who uses a lot of gimbals and makes instructional videos on balancing them, the Zhiyun Crane M2 is probably the hardest gimbal that I’ve ever had to balance. A lot of this has to do with it’s overall size. Because it’s made for smaller cameras, the gimbal and it’s adjustment points are smaller. When I balance this gimbal, it seems like I’m often extending the adjustment points to their max. It seems like with any adjustments, the parts start to hit each other and cause cosmetic damage. For the small size of the gimbal, we give up proper clearance for balancing. This may also be an issue for come cameras as the cameras may bang up against the gimbal during balancing and in use.

Even with these complaints, if you were to ask me if I would recommend the Zhiyun Crane M2, the answer would have to be yes. For the price of this gimbal, it’s going to be hard to find something as feature packed and versatile. This is a great gimbal but some of its features were just overhyped. I received this product for free for review. I would assume that other reviewers who made early reviews also did too. I just wonder if these other reviewers really did not notice these issues/annoyances or they just chose to keep their mouths shut in hopes of getting more free products in the future. Again, this gimbal is recommended but don’t think that it’s the perfect gimbal. Some of the designs could use improvements but this is probably the best that we have right now.


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Minimizing my Camera gear for Travel

Nothing is finalized yet, but it’s looking like I’ll be spending a good portion on my summer traveling abroad. This may be my most complicated trip in terms of logistics and when traveling, the thing that complicates my trips the most has to be my camera gear. I’m the type of person that likes to pack everything to make sure that I forget nothing. This just means that I bring a lot of stuff. This makes traveling complicated because before I even get to my destination, I have to worry about whether or not the gear will even successfully make it on the plane and inside the cabin. If you’ve haven’t seen it, in my Traveling by Plane with Camera Gear video, I talked about how camera gear and anything that you find valuable should be taken into the cabin as a carryon because unless you’re traveling with something like a Pelican case, there is a huge chance of the gear getting damaged. From my experience, the best way to get this done is to just travel with a bag that will blatantly fall within carryon size requirements and to travel light because many international airlines have a strict carryon weight requirement. Downsizing my gear of course also has the benefit of making my entire experience more enjoyable because I don’t have as much to carry around. With all of that in mind, I’m going to walk you through what I think will be the best minimal setup for me.

First let’s talk about the bag because that’s possibly the most important factor to all of this. The bag that I’ve decided on is the Jill-E Designs JACK Hemingway 15" Leather Backpack. This is a new bag for me but I saw the potential because it seems to be pretty well setup for travel even though it’s fairly simple and minimal. On the outside is one external pocket. This is pretty decently sized and I think it’ll be good for holding things like filters, batteries and small accessories like that. On the side of the bag is a zipper which leads to a stretch panel made for a water bottle but I’ll probably make this work with my travel tripod. Moving inside, the bag has a bunch of organization pockets for pens, electronic devices and the like. I chose this backpack because like I said earlier, it is blatantly smaller than any carryon size requirement. I’m certain that this bag will actually work as a personal item, which is another type of baggage that you’re typically allowed in the cabin. Again, watch that Traveling by Plane with Camera Gear video to learn more about this. So, if I’m able to efficiently use this bag, I’ll actually still be allotted a carryon luggage. This means that I’ll just be able to carry on my essentials in the carryon and maybe not need anything else besides the two bags.

My current plan is to use the Jill-E bag as my camera bag and I’ll be able to accomplish this with the various camera inserts that are available for this bag. I actually own two different inserts, the
Jill-E Designs Jack Backpack Insert and the Jill-E Designs E-Go Camera Insert. Right now, it’s looking like I’ll be bringing both of these along for my trip. The larger Backpack Insert will be used when I’m just traveling and have everything put away. The E-Go Camera Insert will be for short day trip use where I’m just carrying one body and one lens. The E-Go Camera Insert actually comes with its own carrying strap that turns the insert into an independent bag so if I really want to go minimal, this is an option. Again, if I’m able to carry all my camera gear in this bag, it’s going to make my life a lot easier when traveling and frees up my carryon.

Now, let’s talk about the camera gear that I’ll be bringing. After some thought, I think that I’ll only be bringing one main camera setup and that’ll be the Sony A7RIII and the Sony 24-70mm f/2.8 GM. This is the setup that I most use on a day to day basis and the setup that I’m most used to. With this, I’m pretty much able to get anything done. I’ve actually traveled with a similar setup in the past and it was nice but definitely limiting. I shoot photos and videos and having only one camera really makes this difficult because I can only shoot photos or videos, not both at the same time. Sometimes, I like to get footage of myself doing photography. This is obviously not possible with only one camera. The only answer is to bring another camera, one for photos and one for videos. So, if I do bring another camera it will be the Sony A7RII and attached to that will be the Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens. Finally, the tripod. A lot of my work involves the use of a tripod so it’s just something that I’ll have to bring. The one that I’ve decided to bring is the Benro FIF19CIB0. This is my current favorite travel tripod. It’s small, lightweight and extremely capable.

Like I said, the trip is not finalized yet. I don’t know when I’ll be leaving, where I’m going or which airline I’ll be flying with. That last factor is a major determiner for all of this. Different airlines have different regulations for luggages. The airline that I fly with will play a role in the gear that I bring.

All that being said, this is looking to be a travel heavy summer. There’s going to be a lot of new travel/photography content coming soon so make sure to check back for that!


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